Chetan Pagi is the hero, the second is the super hero and the third is the hero of South. Where the limit of Super Hero ends, the limit of South Hero begins. So there are some crimes in which even super heroes will say that this does not come under our purview, contact the heroes of the south. But in most cases there is no need to contact South Hero. It walks itself forward and reaches the scene that too with dubbing and subtitles. While the hero of our Gujarati films is having a tongue twister with his father at the dining table or doing comedy with his girlfriend in a coffee shop, the hero of the South is seen tearing the villain's car in two with one blow. Ph. Why no one has yet done a research titled 'South Indian Film Actors: A Comparative Study' for a D. degree is itself a research topic. There is only one rule for the hero of South films that no rule applies to him. Even the law of gravitation. It is a wonder why physics scientists have not yet started an agitation against South films and submitted a petition to the District Collector. The rules which the physicists have worked out after years of hard work are broken by the hero of South in the very first entry. Not only physics, the laws of biology have also been reversed by South film heroes. With the passage of time the age of ordinary people increases but the age of this film hero decreases. Not only theirs. Heroine too. That is, the greater the biological age of the hero, the less the age of his heroine. Basically, the hero of South is also non-biological, so he does not have any barriers like caste, age or law. It's common sense that slow moves late, but this rule doesn't hold true for the hero of the South. It moves in slow motion in most cases but reaches everywhere on time. Despite his habit of walking in slow motion, before the bullet from the villain's gun reaches the heroine, the hero shoots and the heroine comes across and spits out the flaming bullet as if it were a peppermint bullet (hands, in slow motion). Not just walking or running, the taps of the toes also know how to dance in slow motion. Thus tachaka fodva is a kind of notification. Which simply means no one can save the gangsters now. However, in the scene of Marfad, the hero who works in slow motion turns into fast forward dancing with the heroine. Thus, the names and stories of South films are different but if you have had the privilege of watching the last few films, you will realize that even though the story is different, the theme is the same. A hero is a simple man living with his family, but when the villain breaks horizontally, the superhero inside the hero wakes up and it bursts from all sides vertically, horizontally, diagonally and calls out for action and violence like the poor superheroes of English movies with their mouths wide open. See it. This is the first theme. Another common theme is that the hero is a crooked man in the past, but becomes a straight man when circumstances change. Suddenly something happens that he has to take off his past stubborn mood again. In short, the heroism of the hero should not be overlooked at all. Its entry is not possible without fanfare and it does the welfare of millions, crores of poor people (in the film of course) instead of one or two poor people. South heroes do all this on the cinema screen. In the world outside the cinema, only one hero knows how to create such a scene. }
Image Credit: (Divya-Bhaskar): Images/graphics belong to (Divya-Bhaskar).
Majatantra: Fire does not consume it, gravity does not touch it
