Rarely has such a wonderful atmosphere been created. Navratri drums have started beating. Aso's clear sky seems ready to open a deep cave. Festive joy spreads all around. The remembrance of 'Maa' Jagadjanani is important in this 'turbulent moment' of existence. In the joy of the festival, it is important not to forget the special undertaking of Tattva-Tapas and Vidyavandana. One moment in the mind of 'Ma' is to enjoy the glory of mahasakti, then dance is an instinctive trick. Elon Musk is a strange man knocking on the doors of the universe… He has said, We are in a transitional phase… When everything is changing, Shankaracharya's words are echoed, the memory of the hungry and hungry is not about physical hunger, but human beings who understand the meaning of existence. , remembers the primordial power, as a child wakes up and remembers 'Mother'. This clear sky is an open invitation to vastness. At such a moment, Navratri is upon us. Aarti is done in every family. Its first line is, 'Akhand brahmand nipavya, padve pandit ma, jayo jayo ma jagdambe…' Here is worship of the unbroken, not a fragmented vision, one who is not narrow can talk to Jagadjan. Where to see this integrity? All around.. 'Ma' is playing, the constellations are spinning in the sky above, here the notes of an orchestra conductor reach through the branches of the trees, a murmur rises from the flowing river, it touches the heart, the birds are mysterious. They are overflowing with happiness that they have found it. Therefore as a point of this existence I also dance, I have got 'Agamani Andhani'. Enraptured by the sight of these universal 'Maharas', I dance. I see the light of the sun and the moon in the lamp of 'Ma', without the touch of man, so I dance to reveal the bliss of the eyes. I have seen the gentle and fierce form of Jagatjanani, I am proud to be a human being, therefore I am dancing. My mother has three forms. The wavering horizons of knowledge are unfolding on this same computer-phone screen, hiding the age in the calendar, I become a screen-ager, and who appears as the shatrupa of the Maha Saraswati, the bark of the ocean of words, I dance. I dance at the mere sight of the beauty of Maa Vaibhavalakshmi, who gives the constant experience of splendor. I dance with the memory of Mahakali who protects me in the dark night shining brightly in the deep darkness. These are the three claps of my Garba. Meditation of the nine forms (Sailputri, Brahmacharini, Chandraghanta, Kushmanda, Skandamata, Katyayini, Kalratri, Siddhidatri, Durga) is of great importance, in the Aarti we sing, 'Navratri worship and Shivratri worship…' This is the vigil of Sanatan, daily at dusk (ie morning and In the evening) but these nine days and the night worship of Shivratri give man an opportunity to flow with the center of existence. Navratri is the days of Sadhana, the days of worship of Shakti, it is natural to dance when Shakti comes. Dancing on the road at someone's wedding and doing garba while listening to Jagatjanani's soulful bhankara is a celebration of different feelings. Like the three goddesses, the three hymns are also very important. Devi Kavacha, Shakradaya Stuti and Kunjika Stotra have special significance in this Navratri. In the shield, it is shown which form of Mataji will protect each organ. It is fun to sing this stotra in that you have to focus your attention on each organ, that is cyclic meditation meditation is done. This shield is thus very energetic. Here is Human Anatomy i.e. the subtle union of physical and divine energies. Chaitanya communication can be felt through faith. That is why it is sung, when there is a lot of motherly grace, one wants to sing such a verbal shield. (Prapnoti முத்தி நைத்தி மாமம்புபாராதாத்தாத்து: .) Shakradaya Stuti is the praise of the Mother by the sages, this hymn heralds a great mental awakening. The flowing song of Sanskrit verse Vasanthilaka makes a human being emotional. The poetry of this hymn awakens you from the depths of distance. Shakradaya Stuti is the praise of 'Ma' by the sages, echoing the Gujarati prayer 'Vishwambhari Sakal Vishwatani Janeta'. Shabdatmika Devi is called by Ardra Sware Kavi, 'Vidyasi Sa Bhagavati Parama Hi Devi.. !. ' This stotra ends with three verses like the Rakshastotra, in which sages pray to Mataji for their protection by saying 'Shoolen pahi no devi'. There is a hymn to sing with the smoke of incense when the lamp is dimly lit, Kunjikastotra.. To understand Kunjikastotra, one has to remember Mahadev. To catch its essence requires training of ear and mind. Its feel is different and ethereal. This is a wonderful language given by the sages, the deeper you go, the more you understand the form of 'Mother'. Every Navratri brings a new light. Come, let's find the 'sunny' in the festivity.
Image Credit: (Divya-Bhaskar): Images/graphics belong to (Divya-Bhaskar).
From the Balcony of Existence: The Light of 'Aradhana' in the Festivities
